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The Rise, Fall, and Return of Axanar: Alec Peters’ Legal Battle with CBS and Paramount
In 2015, Alec Peters, the producer behind Prelude to Axanar, faced a lawsuit from CBS and Paramount over his fan film, which was inspired by Star Trek. After two years of …
90 Copyright Claims: How The Island Was Accused of Copying Clonus Scene by Scene
In 2005, DreamWorks released The Island, a glossy sci-fi thriller that quickly came under fire from the creators of a lesser-known 1979 indie film, Parts: The Clonus Horror. The Clonus team …
The Knockoff That Could’ve Rewritten Sci-Fi History?
In 1999, The Matrix reshaped sci-fi forever. But behind the bullet-time and trench coats, an unknown author triggered a real-world glitch—by suing the people behind The Matrix and The Terminator for …
Did The Terminator Rip Off The Outer Limits?
In 1984, The Terminator exploded onto movie screens and changed sci-fi forever. But just as quickly as James Cameron’s cyborg assassin began its box office rampage, a bombshell dropped from the …
The Lawsuit That Tried to Exorcise a Knockoff: Beyond the Door vs. The Exorcist
When The Exorcist hit theaters in 1973, it was more than a horror film—it was a cultural event. People fainted. They vomited. Some ran straight to their churches. The fear was …
The True Story Behind Heat: Neil McCauley vs. Hollywood
Michael Mann's Heat is celebrated as one of the most intense heist films ever made, largely due to its exploration of the cat-and-mouse dynamic between Detective Vincent Hanna and the criminal …
The Legal Battle Between MXC and Wipeout: A Case of Copycat or Common Ground?
The world of obstacle course game shows has seen its fair share of quirky challenges and high-flying stunts, but one of the most notable legal disputes in this genre came between …
How Warner Brothers Tried to Sue a TV Superhero Out of Existence
In 1981, ABC introduced audiences to a bumbling superhero named Ralph Hinkley in The Greatest American Hero. Viewers loved it. Warner Brothers didn’t. Just 48 hours before the show's premiere, Warner …
Uncovering the 34 Allegations: Did Battlestar Galactica Really Rip Off Star Wars?
In 1978, Twentieth Century Fox and Lucasfilm sued MCA, alleging that Battlestar Galactica wasn’t just inspired by Star Wars—it was outright stealing from it. Many fans know the 13 examples of …
The Story of Great White vs. Jaws: Was It Theft or Inspiration?
When the shark thriller Great White swam into theaters, Universal Pictures made waves by taking the filmmakers to court, alleging that the movie was a shameless ripoff of their 1975 blockbuster …
Nosferatu… Horror’s Most Influential Rip-off
The Birth of a Forbidden Film In the shadowy landscape of early 20th-century cinema, a daring creation emerged that would challenge copyright laws and redefine the vampire genre. Nosferatu, released in …
The Z Nation “Major Announcement” by The Asylum Everyone Ignored
Back in March, The Asylum—the production company behind Z Nation—teased fans with a mysterious announcement, sparking a wave of excitement and speculation in the community. https://youtu.be/UAnNswpGgV8 The tweet on March 11th …
Are These Historical Events the Key to From’s Eerie Town?
In From Season 3, Episode 6, we witness Jade diving deep into the cryptic dates and events connected to Fromville, a place brimming with secrets, unexplained occurrences, and strange historical references. …
Seven Hidden Rules in “From”: Decoding the Mysteries of a Nightmarish Town
The eerie town in From has captivated fans with its mystery, danger, and ever-evolving rules. The survival of its inhabitants depends not only on understanding what’s lurking in the shadows but …
Unraveling the Dark Mysteries of Severance: 14 Secrets Lumen Industries Is Hiding
In the world of Severance, Lumen Industries is more than a workplace—it’s a web of secrets and psychological manipulation. Fans have been piecing together clues, and it’s clear that the company …
The 7 Hidden Rules of FROM in Season 3: What We Know So Far
In the hit sci-fi series "From," viewers are drawn into a mysterious town where reality bends and danger lurks around every corner. As the show progresses through its third season, we've …
Will Megalopolis’ Failure Be the Scapegoat for More Reboots and Lower-Quality Sci-Fi?
Francis Ford Coppola's "Megalopolis" was meant to be a beacon of originality in a sea of sequels and reboots. Instead, its catastrophic failure at the box office threatens to become a …
Does SciFi Have Toxic Fandoms On The Internet?
In recent years, the sci-fi and fantasy community has been grappling with the rise of what some call "toxic fandom." This phenomenon has become so prominent that it's catching the attention …
Controversial Sci-Fi: When Fiction Meets Censorship
In the realm of science fiction, pushing boundaries often leads to controversy. From ultra-violence to post-apocalyptic mayhem, some sci-fi works have faced censorship, bans, and sparked intense debates. Let's explore three …
US Court Rules: Marvel and DC Lose Their ‘Superhero’ Trademark
In a groundbreaking decision that's set to reshape the landscape of comic book publishing and beyond, a U.S. Court has ruled that Marvel and DC Comics no longer hold the trademark …
The case of Paramount Pictures & CBS Studios v. Alec Peters & Axanar Productions | Star Trek v. Prelude to Axanar | Case No. 2:15-cv-09938-RGK-E In 2015, a fan film project called Prelude to Axanar sparked a monumental legal battle between producer Alec Peters and Hollywood giants CBS and Paramount Pictures. This case involved the question of intellectual property rights over a fan-made Star Trek film, and the ensuing battle culminated in a shocking $300,000 arbitration judgment just a few years after an initial settlement. The saga starts with the original lawsuit in 2015, where CBS and Paramount sued Axanar Productions for violating the terms of their fan film agreement. After a settlement in 2017, things seemed to calm down—but by 2021, the studio giants returned to take further action. But how did Alec Peters, once given permission to continue, end up facing such a massive financial penalty? In this video, we’ll delve into the specifics of the settlement terms, the legal arguments, and the subsequent breaches that led to the arbitration. We’ll also explore Alec’s perspective on what he believes was a double standard in the way CBS treated Axanar compared to other Star Trek fan projects. Was the settlement terms too restrictive? Did CBS go too far? Alec’s journey from permission to bankruptcy raises tough questions about the future of fan films and the real consequences of breaching contract terms. Tune in for an in-depth breakdown of this legal case and Alec's personal experience navigating the complex world of Hollywood, fan films, and intellectual property. #axanar #startrek #movielawsuit Tired of searching for something to watch on your fav streaming site? Let me tell you what to watch: watchlist.rawteur.com Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
Star Trek gave him permission… then bankrupted him in court
The case of Clonus Associates v. Warner Bros. & Dreamworks Pictures | Parts: The Clonus Horrors v. The Island | Case No. 1:05-cv-07043-SAS In 2005, the producers of The Island—a $126 million sci-fi blockbuster directed by Michael Bay—were hit with a lawsuit from a tiny indie team you’ve probably never heard of. Their claim? That The Island wasn’t just similar to their film Clonus: The Parts Horror... it was nearly a scene-for-scene clone. The creators of Clonus didn’t just say it “felt similar.” They laid out 90 specific pieces of evidence. We’re talking shared plot twists, near-identical characters, visual beats, even themes of organ harvesting and false utopias. The lawsuit wasn’t some internet conspiracy—it was real, it went to federal court, and it ended in a six-figure settlement. Quietly. In this video, I break down the similarities one by one. You'll see how The Island borrows from Clonus—sometimes subtly, sometimes shamelessly. We compare not just the storylines, but how both films manipulate hope, suppress individuality, and ultimately turn human beings into products. We also follow the lawsuit itself: Why the Clonus team decided to sue What evidence they brought How Hollywood responded And why the case never went to trial This isn’t just a story about stolen sci-fi—it’s about how the biggest studios in the world can “borrow” from small creators and hope no one notices. But this time, someone did. And they had receipts. 📂 Featuring excerpts from the original court filings, side-by-side comparisons, and a full narrative breakdown of both movies. Whether you’ve seen The Island, Clonus, or neither—this is a cautionary tale about creativity, credit, and what happens when your idea is too good to stay small. #Clonus #theisland #movielawsuit Tired of searching for something to watch on your fav streaming site? Let me tell you what to watch: watchlist.rawteur.com Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
the most shameless ripoff in movie history
Night of the Living Dead changed horror forever—but the man who created it was somehow shut out of the franchise he started. In this video, I dig into the strange legal mess behind the original film. If you’ve ever wondered why Dawn of the Dead and Return of the Living Dead feel like they come from totally different universes… well, they kinda do. And it all traces back to one decision Romero made early on—one that would haunt the rest of his career. What really happened behind the scenes of this zombie empire? And why couldn’t Romero keep using the name Living Dead? 🎬 Which side are you on—Living Dead or ...of the Dead? Let me know in the comments. #georgearomero #nightofthelivingdead #movielawsuit Tired of searching for something to watch on your fav streaming site? Let me tell you what to watch: watchlist.rawteur.com Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
why George A Romero was Banned from the Living Dead franchise
In 1999, The Matrix rewired how we see sci-fi. But behind the visual effects and philosophy is a story you may not have heard—about a woman who claims she wrote it first. Sophia Stewart says she created The Matrix… and The Terminator. According to her, a manuscript she wrote in 1983 was stolen, repackaged, and turned into two of the biggest franchises in movie history. And she didn’t just say it in an interview—she took it to federal court. For $5 billion. In this video, I walk through the entire case from start to finish: What Stewart claims was copied What the characters in her manuscript actually do How her plot compares to The Matrix and The Terminator And what the courts actually found after years of legal back and forth I pulled the court filings, read the lawsuit, and got a copy of The Third Eye—the manuscript she says inspired it all. And I’ll show you, side by side, where the similarities are strong... and where the story breaks down. This isn’t just a headline—it’s a deep dive. We’re talking real receipts, not rumors. So if you’ve ever wondered whether The Matrix was a one-of-a-kind vision, or something pulled from someone else's unpublished work, this video might change the way you look at it. #theMatrix #glitchinthematrix #movielawsuit Tired of searching for something to watch on your fav streaming site? Let me tell you what to watch: watchlist.rawteur.com Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
Wait! Is the Matrix actually a stolen story?
What’s Wrong With the @HypePlusTV Sophia Stewart Interview ("Creator of The Matrix"): https://youtu.be/tjrpMZXPyKY?si=JSpItAVc4Cq3KjH_ Recently, Sophia Stewart sat down with Hype+ and doubled down on her claim that The Matrix and The Terminator were based on her 1983 manuscript, The Third Eye. But this time, she’s framing it a little differently—not as plagiarism, but as a licensing deal gone wrong. The problem? In court, that argument didn’t stick. In fact, a lot of what she says in the interview directly contradicts the sworn testimony and rulings from her actual lawsuit: CV 03-2873. It’s only 48 pages—go pull it yourself if you want receipts before debating in the comments. In this video, I walk through the actual filings and the court’s decision. ✔️ She did register her work (under Zenia Kavala). ✖️ But she admitted in court that she never sent it to the people behind The Matrix or The Terminator. ✖️ And she couldn’t prove they ever had access to it. That’s why the judge tossed the case. Inside: – Why the “studio handshake” theory didn’t hold up – What Stewart actually said in court – What’s real in the filings vs what was speculation – And why registering a manuscript isn’t the same as winning a copyright claim 📎 Members can find all the case documents and my notes on the Community Tab. Click “Join” if you want access to those behind-the-scenes breakdowns. 🎥 To see my original video breaking down the entire case from start to finish, it’s linked in the description. #theMatrix #thethirdeye #movielawsuit Tired of searching for something to watch on your fav streaming site? Let me tell you what to watch: watchlist.rawteur.com Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
Dissecting the Sophia Stewart "Creator of the Matrix" interview
In 1984, The Terminator exploded onto screens—and immediately got hit with a plagiarism claim. Sci-fi legend Harlan Ellison accused director James Cameron of ripping off his 1964 Outer Limits episode Soldier, sparking one of the most controversial copyright battles in Hollywood history. Ellison said it wasn’t just inspiration—it was theft. He pointed to time-traveling soldiers, futuristic wars, and a nearly identical opening sequence involving an electrical storm. But does the evidence actually hold up? We break it all down: • Scene-by-scene comparisons between The Terminator and Soldier • A look at what Ellison got right—and where the claims fall apart • Behind-the-scenes drama with Cameron, Orion Pictures, and Starlog Magazine • The secret settlement that gave Ellison credit and shut everyone up • Plus, Ellison’s earlier win against ABC and The Incredible Hulk’s Marvel storyline James Cameron called Ellison a “parasite.” Ellison said it was never about money—just creative integrity. Whether you’re Team Terminator or Team Outer Limits, this one’s going to leave you questioning where originality ends and homage begins. #theterminator #theouterlimits #movielawsuit Tired of searching for something to watch on your fav streaming site? Let me tell you what to watch: watchlist.rawteur.com Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
Wow! The Terminator is actually an Outer Limits ripoff
Cannon Films wasn’t just another scrappy studio — it was so chaotic that the Securities and Exchange Commission had to step in. In this video, we’re diving deep into how Cannon went from cranking out low-budget action movies to getting sued, investigated, and ultimately collapsing under the weight of its own wild ambition. If you’ve ever wondered how a studio could pump out 35 movies a year — while still managing to anger DC Comics, Warner Bros., Paramount, Lucasfilm, and the U.S. government — Cannon is the perfect case study. We’ll walk through how Cannon: Nearly got sued for copying Indiana Jones with King Solomon’s Mines, Fumbled Superman IV so badly that the rights reverted back to the original owners, And managed to ruin The Texas Chainsaw Massacre 2 by turning a horror classic into a chaotic dark comedy. Plus, we’ll talk about the SEC investigation — how Cannon exaggerated its profits, misled investors, and sold dreams they could never deliver. No heavy edits here — just a straight, community-style breakdown of one of Hollywood’s wildest rise-and-fall stories. If you love hearing about movie lawsuits, behind-the-scenes disasters, and how studios bend (or break) the rules to stay alive, you’re in the right place. This is part of my Movie Knockoff series, where we dig into the real legal and financial chaos behind the movies you grew up with. Want more hidden gems, cult classics, and forgotten movie backstories? Sign up for my free monthly Watchlist — packed with must-watch films you won’t find on every streaming list. Link below. Let me know in the comments — which Cannon movie do you secretly love, even if it’s a little rough around the edges? #CannonFilms #Ripoff #MovieLawsuit Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
Superman 4 was so bad, the SEC investigated
This week, Hollywood’s favorite genre isn’t action or horror — it’s lawsuits. In today’s video, I’m breaking down three wild copyright cases that just hit the entertainment world. First up, a screenwriter is suing Paramount over Top Gun: Maverick, claiming he co-wrote major scenes and never got credit. He says he wasn’t a “work for hire” — which sounds like a small detail, but in Hollywood, it can mean the difference between a handshake and a multi-million dollar payout. I get into what he claims he wrote, what Paramount is saying in response, and why this whole thing might come down to one line in a forgotten contract. Then we move on to Superman. The estate of Joseph Shuster — yes, the co-creator of Superman himself — just tried to block Warner Bros. using British copyright law. But U.S. courts weren’t having it. I explain what their argument was, why it got dismissed, and how this connects to a nearly 90-year fight over Superman’s rights. Finally, Yellowjackets. Some folks thought it looked a little too much like a 2015 indie film called Eden — same plane crash, same cannibalism, same survival chaos. But a federal judge said no — and the reason why is kind of poetic. Turns out, if your plot sounds like Lord of the Flies, Survivor, and Mad Max, you’re in crowded creative territory. No fluff. No spin. Just the raw legal drama, broken down like I’m explaining it to a friend who doesn’t like reading court documents — but lives for courtroom tea. #TopGun #superman #movielawsuit — 👉 Like what you see? Sign up for my mailing list in the pinned comment. Every month, I curate must-watch movies and shows — including a few that just might land someone in court. 🎥 Subscribe for more copyright lawsuits, knockoff drama, and behind-the-scenes Hollywood chaos. Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
Top Gun: Maverick (and others) sued for copyright infringement
In one of the most blatant movie lawsuits of the 1970s, Warner Brothers sued the makers of Beyond the Door — an Italian horror film accused of copying The Exorcist so aggressively that it misled audiences and raked in a staggering 4000% profit before getting dragged into court. In this video, we dive deep into the Beyond the Door lawsuit: how a modest European horror movie became a U.S. marketing machine, how Film Ventures International changed the title and poster to mimic The Exorcist, and why Warner Brothers claimed it wasn't just creative borrowing — it was unfair competition and deceptive advertising. We'll show side-by-side comparisons of the posters, trailers, and even specific scenes where Warner Brothers argued the filmmakers crossed the line — from voice distortion tricks to projectile vomiting to levitation stunts that looked a little too familiar. Along the way, we’ll break down the actual court findings, explain why some claims (like scary voices and flying furniture) didn’t hold up, and reveal the moments where even the judge agreed that Beyond the Door had gone too far. If you're here for real movie lawsuits, raw court documents, no media spin, and a few moments of “Did they really think they’d get away with that?” — you’re in the right place. Subscribe for more real-world cases where Hollywood creativity collided with copyright law… and sometimes, made a fortune before facing the consequences. #theexorcist #beyondthedoor #movielawsuit Become a channel member to get access to perks: https://www.youtube.com/channel/UCvWmKya6NdbtgVQm4uc-wTA/join
so deceptive, even the posters were banned.
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